Track List:
1. Hara Hara Mahaadeva (4:32)
2. Devi Puja (10:59)
3. Kali Durge 5:11)
4. The Krishna Waltz (5:22)
5. Hanuman Chaleesa (11:42)
6. Forgiveness (Instrumental) (3:55)
7. Prayer to the Goddess For Forgiveness (4:47)
8. Hare (Mc)Krishna (5:34)
9. Prayer to Hanuman (7:55)
10. Shri Ram Jai Ram (5:50)
11. Brindavan Hare Ram (6:18)
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Krishna Das traveled to
India in the 1960s where, along with
Ram Dass, he studied with a
Hindu guru named
Neem Karoli Baba (Maharaj-ji). Krishna Das has studied ancient Indian meditation practices,
Bhakti Yoga - in Hinduism this is the yoga of devotion, and is now devoted to singing and teaching. He has released several
CDs, and he travels around the
world giving performances and teaching, sometimes with
Ram Dass. In recent years he also has often led workshops in combination with leading meditation teacher
Sharon Salzberg. He has also offered workshops with yoga teacher
Dharma Mittra.
Krishna Das is arguably the best known U.S. singer of Indian kirtan-style devotional music. Other artists working within this genre include
Bhagavan Das,
Jai Uttal, Ragani, Eddy Nataraj, Sean Johnson and The Wild Lotus Band, Shyamdas,
Lokah Music,
Wah!,
Deva Premal, Girish and
Snatam Kaur.
Krishna Das has recorded numerous variations of
Hanuman Chalisa, a 40 stanza Hindi devotional poem to
Hanuman by
Tulsidas (c.1600). In recent years, he has also performed and recorded the traditional gospel song, "Jesus is on the Mainline". He has commented that he read the Gospels while in India and, "they sound a lot different at 10,000 feet". He also remarked that there has been some criticism about an "ex-jewish boy" chanting the name of Jesus. He responds to this by saying that his guru,
Neem Karoli Baba, once said "Jesus is Love," and singing about Jesus is just singing about love. Other heterodoxies are found on his album
Door of Faith (2003), which includes a setting of the Hanuman Chalisa that interpolates the Buddhist "Gate of Sweet Nectar" and a setting of the Gospel tune "God is Real" which blends in "Hare Ram".
Krishna Das's
harmonium bears an image of Hanuman, and he generally wears red T-shirts when he performs (a coloring associated with Hanuman).
Krishna Das's musical style is distinctly Western, using chord progressions typical of Western popular music. The kirtans he leads often build from a slow, meditative tempo to a high paced catharsis. It is common for his audiences to stand up and dance during some of his Hare Krishna chants. The ensembles with which Krishna Das performs changes frequently. He is usually accompanied by a tabla player (Arjun Bruggeman), other percussions (including cymbals, drum kits, and occasionally cowbell and triangle), strings (cello or violin—Genevieve Walker), or electric bass guitar (Mark Gorman, Mark Egan or Patrick Hammond), or guitar (David Nichtern). Often, he is accompanied on kartals (small wooden percussion instruments from Indian) by Nina Rao.
Krishna Das has been associated with many other artists. Two of his albums have featured
Hans Christian as a guest multi-instrumentalist, and
Sting appears on the the album "Pilgrim Heart". He has also appeared on an album with
Baird Hersey & Prana entitled "Gathering In The Light".
Krishna Das has written about how his Guru put him onto the path of Kirtan, and a quotation follows
[1]:
'At what would turn out to be my last darshan of Maharaj-ji's physical body, I was petrified with fear about returning to the U.S. after so many years. I hadn't worn a pair of jeans or shoes for such a long time that I couldn't imagine what it would be like. I didn't want to ask Maharaj-ji what I should do in America, but all of a sudden I blurted out in anguish, 'Maharaj-ji! How can I serve you in America?' 'He looked at me with mock disgust and said, 'What is this? If you ask how you should serve then it is no longer service. Do what you want.' I couldn't believe my ears. How could doing what I wanted to do be of service to him? I didn't have that kind of faith. I just sat there, stunned. Then after a minute or so he looked over at me, smiling sweetly, and asked, 'So, how will you serve me?' 'My mind was blank. It was time for me to leave for Delhi, to catch the plane back to the States. He was looking at me and laughing. I bent down and touched his feet for the last time and when I looked up he, he was beaming at me, 'So, how will you serve me in America?' I felt like I was moving in a dream. I floated across the courtyard and bowed to him one more time from a distance. As I did, the words came to me, 'I will sing to you in America.' 'Soon afterwards, during the full moon in September, Neem Karoli Baba left his body. Now he had to be found within. The chanting, the meditation, the puja and all the wonderful time spent with Maharaj-ji turned out to be seeds that he himself had planted in my heart... seeds that would keep growing and blossom by his Grace.
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